Watson himself, also repeats that whilst he is filming them he will not intervene; it is his job purely to observe. Here's one depicting true alcoholism in the UK, realism at its best. In the documentary, Paul Watson used lots of close up shots to catch the expression and emotion of these people, which deeply enhance the emotional stuff and educational meaning for this documentary. However in the documentary there is a shot of him asking Why am I asking you to watch Nigel die? and he then says that Nigels wife, Kath, had wanted it to be shown so that the audience would be made fully aware of the consequences of alcoholism. Watsons interference with the subject is, for the most part, kept to a minimum, although the interviews and conversations he has with the subjects comes across as interrogative at times. Also while researching I found a Guardian article discussing the film. The question of the ethics of filmmaking is clearly something that is troubling to Watson. I would have actually preferred for Watson not to comment on screen during the film. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. It is also true that sometimes the person who was interviewed didnt feel very comfortable about what he or she was saying and probably wasnt aware at all of what it was being said. For example when he repeatedly asks about how Vanda was abused, she can only really talk about it intoxicated, leading her to fall back to it. Their harsh realities shocked me, however i found it extremely easy/automatic to empathise with them due to the methods of which Watson included, and the issues raised were heavily captivating. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. There were no moments where I thought Paul Watson was exploiting his subjects in the film, I simply viewed him as an observational documentarist that attempted to explain the real horrors of self-harming through the use of alcohol. Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. From a documentarians point of view, Watson did a remarkable job of exploring the brutality of a taboo subject, but from a moral standpoint, the filmmaker may not have been exploitative in his actions but he was definitely extreme. Yes it is a devastating subject matter and yes the emotions that should arise in audiences should be just as devastating. United Kingdom, 2006. From a personal level I felt it was very moving and eye opening to me on this subject. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. It is not a pleastant sound. However, there is a clear relationship change when we see Watson come to Vandas house for the first time and through his camera both Watson and we, as the audience spectate that she is noticeably drunk and has brought herself another bottle of vodka. If he had interfered then he could have been potentially saving lives. I think Paul Watson just record the really experience of alcoholic people, and to large extent to show their emotion and struggle about giving up drinking and the pain they have suffered because of drunk. It would be exceedingly difficult to make a documentary on a difficult subject such as alcoholism without the use of a subjects personal hardship. We ask a lot of our hunters as many times we will pass 200 inch deer to pursue true giant deer. Instead of the man behind the camera, we see him completely bare, exposing himself to the audience. Critical and disbelieving responses after giving personal information in a safe space, can cause as much pain and loneliness as the original abuse. Nigel died during the course of filming Rain in my Heart, leaving Kath and two teenage children. Several times in the documentary we see him struggle to make decisions on how he will proceed with the footage he has. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. This is also made clear later in the film when he spends some time filming at one of the female patients, Vandas house. Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. I would not have the heavens fair, Also just to confirm Gillingham is a pretty shitty place to grow up in, so the documentary comes across as very sincere. Rain in my heart is very clinical in its approach to a very tough subject matter, as if Watsons approach matches that of the grief caused by alcoholism for his subjects. This in essence in the subject saying that they are feeling exploited by the filmmaker and the documentary project. Watson, in one of his cut aways does explain his moral debate about whether to include Claires grief. I believe it was not his job to cure the patients, neither was it to encourage them to drink, however his involvement with the hospital and its patients was simply to reveal the complex and brutal causes and effects of alcoholics. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. For example, when Vandas temper reaches a certain point and she slams the phone down repetitively, wanting to break it and smash it pieces. 'Rain In My Heart', was a very touching and eye opening film. One ethical issue that could be introduced at this point is how certain filmmakers victimise their subjects. In many instances Watson reflects on his project and notes the issues he is creating by making this documentary; however it does not effect his ability to complete the film. In one scene we hear Watson as whether or not the information he is receiving from one of the subjects would be appropriate to include in the finished product. But that is not a bad thing. Play online or download to listen offline free - in HD audio, only on JioSaavn. Forum Member. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. It follows 4 alcoholics from the hospital to their homes. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. I particularly found the way that Watson asked questions respectable, when talking about the monsters in Vandas head she stated she didnt want to talk about it and he was reassuring and moved the conversation away from them. Posts; 4,539. Watson chooses subjects based on their deadly addictions to alcohol, an integral part to the film. Four alcoholics in and out of hospital over a two month period, reality at its most real. I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. He does however, tell her that he will ask her when she is sober if she wants to keep that in. In making Rain in my Heart I would need to film people with troubled psyches; people within which gremlins and monsters lurk producing psychological pain and miseries, miseries that often push them to self-harm. I also believe Watson tried his best to tackle these accusations, baring in mind that overdoing it throughout the documentary could appear to undermine the actual traumas of the patients and their families. When he interviews his subjects when they are drunk, the woman speaks of her monster inside, she used to suffer from sexual abusing by her father. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. He would stop filming if the interview got too personal, if the subject would ask to stop the interview or refuse to go on even further, and he even questioned the subject the following day as to whether she was happy with him including the footage he had captured. Basically, I think Paul Watson is really successful in showing the facts and emotional stuff in this documentary. Nonetheless, I think that Paul Watsons work is justifiable and I do not consider him to be selfish. I do feel that in a way Paul Watson has exploited all of his subjects in this film. This gives the impression that Paul Watson is only interested in the success of this documentary. Join Date; 14th June, 2011. It was really uncomfortable scene to me, Paul trully showed the seriousness of alcohalism and it must influence to the audience. At no point during the documentary did I feel that the filmmaker was exploiting the subjects, the recording of what can be described as personal and intimate situations felt more like a significant necessity with moral intentions towards bringing awareness towards the seriousness of the consumption of alcohol. Overall were the subjects happy to be on film? Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. Paul Watsons ethical procedures are certainly questionable. It would have shown their time off-screen, sitting in a dressing room, preparing themselves to go on-camera, also chatting and gossiping, then being lined up by the assistant director and going through the magic momentthe transformation into character. He later also mentions that one woman, who had been born in a concentration camp, had a complete breakdown while doing that scene.. 0 . June 27, 2015 by webadmin Watch on YouTube Watch on Brilliant, unflinching documentary on alcoholism by Kent film maker Paul Watson. Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. The problem suddenly doesnt become the alcohol, but their mental state, which is something I learnt from the film. Once Watson sees this he is distinctively appalled and shocked that Vanda, after promising in a previous shot that she would fight to stay sober in the future, has gone back on her words and is drunk again. A stage of construction must have taken place and although the Documentary as a whole seems as real as possible because we take a true insight into the lives of severe alcoholics, Watson has already manipulated his Documentary by constructing the reality before the show had even commenced. Obliging by the rules of observational filmmaking, Watson, on the whole, assumes a fly-on-the-wall position and captures the destruction as it unfolds. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Rain in my Heart Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. Is it really more important that showing the dangerous of alcoholism by peoples moment who dying even ignore their life? These subjects were all willing participants, however their capacity to give consent comes into question. However to me I felt that this is in some sense of vital information that we needed as viewers to understand and try to identify and sympathize with the reasons to why this person relies on alcohol. However, as I mentioned previously, Watson neither encourages nor halts the emotional stress of the patients, he simply asks them questions about their mental state and at times even asks the patients if they would prefer the camera to be turned off. Check out our rain in my heart selection for the very best in unique or custom, handmade pieces from our shops. It becomes less objective, and much more personal between him and Vanda. Probably. 56,514 people are reading stories on the site right now. Its probably doing far more good than bad, just in terms of getting the reality of alcoholism out there. Change), You are commenting using your Facebook account. For before the revealing of the alcohol, Watson greets Vanda by pecking her on the mouth and cheek. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach. By the time she married at 18 she was a serious drinker - the marriage didn't last, nor did a succession of jobs despite her being able to speak at least two other languages. The veins in her legs have contracted because of alcohol, making walking difficult. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. At first, I believe, Watson had every intention in trying to, in the most effective way possible, try and exploit his subjects. Currently, Penny Parker's life was great. Which questioned the showing of Nigel s death (one of the four subjects and one that pat away). There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. Their addiction affected them not only when they were drunk, but physically as well as mentally, when they were sober too. He says My job is to explain, not entertain. After watching this documentary i get shock of the people shown. Before i didnt know that alcoholism could lead to such a terrifying state and even death. Although it could be argued that this footage is showing Vanda what she is like when she is drunk, I would say that her answers might have been different if she was sober when she was asked them. And it is also a good example to discuss the ethical issues in the documentary. Although, there are several moments when this filmmaker and subject relationship is close to breach, he retains his role of confidentiality and recognizes that the subject may not be too sober to make such ethical decisions of what they would like in the final cut or not. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. This is getting a lot more personal. I believe he does ask himself sincere ethical questions and that he answers them truthfully. There are multiple narratives that composes the documentary surrounding each alcoholic; delving into their health, issues and families through interviews and visual representations of their effects. In Rain in my Heart she is living in a council flat. The filmmakers aim should essentially be to give a true representation of what they are filming and should present it with no bias to their views or their emotions toward the subject. And the audience is living the pain through the subjects, and that is the best outcome to achieve, making the subjects exploitation almost worthwhile. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. There were a couple of moments where I felt that he distracted from what we really should have been looking at. 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